Lizzy Vartanian Collier aka Gallery Girl is a writer and curator based in London. Her work has been featured in publications including Dazed, Hyperallergic and Vogue Arabia. She was curator of Perpetual Movement during AWAN Festival 2018 and in 2019 had a residency at the Lab at Darat Al Funun in Amman, Jordan. She has also worked with Armenia Art Fair for its inaugural edition and previously worked as an editor at I.B.Tauris Publishers. In 2019 she co-founded Arsheef, Yemen’s first contemporary art gallery. She has given workshops at Manara Culture in Amman, Jordan and Victoria and Albert Museum in London, UK.
As of 2020 she is currently in law school, with the ambition of greater understanding the intersection between art and the law.
Amongst dozens of white-cube style Mayfair galleries filled with contemporary, modern and old-master art that predominantly originates from Europe and North America, one of the exhibition spaces has been taken over by work from a location that does not often become part of the conversation of the London art scene. her shey qayidacaq* at Gazelli […]
In the space of just one year Cairo Clarke has held a week long series of performance based exhibitions at Yinka Shonibare’s Guest Projects, collaborated with London’s Art Night and organised a show at Century Club in Soho. Gallery Girl spoke with Clarke about her curatorial approach, the artists she works with and her plans […]
Long-limbed women composed of cigarette packaging, torn-up comic books and thick layers of paint sit with their legs crossed and their striking, angular faces turned away from their viewer. These mysterious ladies are part of a series of paintings, drawings and sculptures by Jason Noushin currently on display at Susan Eley Fine Art that are […]
Somewhere in the heart of Fitzrovia lies a gallery that has been given a psychedelic makeover. Neon signs, fluorescent lighting and 90s style box-televisions have taken over the traditional gallery environment so that not an inch of white wall space at Josh Lilley remains in sight. This surreal utopia is what makes up BAD LAND, […]
“[Polaroids] are all about present tense…powerfully present, unrepeatable, one of a kind.” – Wim Wenders The current exhibition of Polaroids taken by Wim Wenders between the 1960s and 1980s at the Photographer’s Gallery in London is a gentle love letter to the mode of instant photography first produced in 1948. Across two floors of the […]