Lizzy Vartanian Collier aka Gallery Girl is a writer and curator based in London. Her work has been featured in publications including Dazed, Hyperallergic and Vogue Arabia. She was curator of Perpetual Movement during AWAN Festival 2018 and in 2019 had a residency at the Lab at Darat Al Funun in Amman, Jordan. She has also worked with Armenia Art Fair for its inaugural edition and previously worked as an editor at I.B.Tauris Publishers. In 2019 she co-founded Arsheef, Yemen’s first contemporary art gallery. She has given workshops at Manara Culture in Amman, Jordan and Victoria and Albert Museum in London, UK.
As of 2020 she is currently in law school, with the ambition of greater understanding the intersection between art and the law.
I currently work across the road from the White Cube on Bermondsey Street at another museum and am often interacting with visitors from the gallery. Most of these visitors come to us enthralled by the current Gilbert and George show at White Cube. However, when I explain to you now that the show is full […]
A few days ago a friend asked me to view his blog. He then sent me a link to his tumblr, a website where most people who use it reblog images from others with very little of their own original content. To this I replied that I didn’t see tumblr as blogging as the subject […]
The Tate’s incumbent blockbuster exhibition is about Matisse. However, running concurrently is a retrospective of the art of Russian artist Malevich that really ought to have just as much attention from gallery goers. Kazimir Malevich was born in Kiev, whilst an administrative division of the Russian Empire in 1879. He founded the suprematist movement around […]
Having just completed my undergraduate degree in the History of Art I am all too familiar with people asking what benefit the subject is going to have on my future. Given that I am about to continue with post-graduate study in September, I am now permanently prepared with a long list of answers on how […]
Calvert 22’s incumbent exhibition title seems to have taken inspiration from the 2012 exhibition of contemporary Russian art at the Saatchi. However Saatchi’s display amassed a variety of different media, with Calvert 22’s ‘Close and Far: Russian Photography Now’ showing purely photography and two films. The use of the word ‘now’ could be misleading. Many […]