Christine Ay Tjoe @ White Cube

I stumbled upon a photograph of Christine Ay Tjoe’s exhibition at White Cube on instagram by accident and knew instantly that I had to visit. The colours in her work and the way they fall across the canvas look strikingly similar to Cy Twombly’s work, but there is a kind different energy splattered across the images that isn’t so gentle.

The works in the show are all abstract manifestations of pinks and blues on white and cream backgrounds. There are 12 large canvases spread sparsely across a large gallery, giving the viewer the space to take in the paintings from a variety of distances and angles.

Ay Tjoe is an Indonesian artist; with this being her first solo show in the UK. In an interview she has stated that her artwork represents her view of human interest from different angles – a display of what people would do if they were invisible. At some points it seems as though fish are bleeding out of the paintings. I am almost certain that I saw a blow-fish, perhaps this represents an attempt to escape, or maybe it relates to the waters surrounding Indonesia.

At first glance, the paintings are attractive bursts of oil paint across clean canvases, but the viewer only has to find out the titles of the images to realise that they have more layers beyond the surface. One work has been given the title ‘Demonic Possession’, which transforms pleasant pinks into bloody reds, scratches and bruises. Another notable work is ‘Concealer Player’, a diptych which moves from cool, watery ocean blues on the left side to concentrated pinks and greens on the other.

This exhibition is a fascinating display of colour and emotion. There is also a striking exhibition of Raqib Shaw’s work running concurrently at White Cube that I encourage everyone to see.

Christine Ay Tjoe: Inside the White Cube is on display at White Cube Bermondsey until 11 September

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Lizzy Vartanian Collier is a London-based writer and curator. She is the founder of Gallery Girl - a London-based curatorial platform and website dedicated to modern and contemporary art from across the globe. Her work is primarily focused on supporting emerging female artists from the Middle East and the Caucasus. She has written for Canvas Magazine, Harper's Bazaar Arabia, Ibraaz, Jdeed Magazine, Suitcase and Vice Arabia among other publications. Her exhibitions in London and Armenia have been featured in Vogue Arabia, The Art Newspaper, The Art Gorgeous and numerous other news outlets. Gallery Girl has also spoken in the UK, UAE and Belgium about the contemporary art scene in the MENA region, and is planning further events in London and Amman.

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