Mustafa Hulusi @ Pi Artworks

Scattered across the floor of Cyprus Realism at Pi Artworks are a series of dried-up pomegranates that have been painted gold. The orbs rest upon pieces of crumpled up newspaper, which are covered in photographs of rotting fruit. The decaying images contrast with the pomegranates resting above them, as they glisten in golden splendour, with the metallic element preserving the fruit from ruin. This sense of dichotomy runs throughout the exhibition of new work by British-Cypriot-Turkish artist, Mustafa Hulusi (b. 1971), at Pi Artworks.

Mustafa Hulusi Artwork: Cyprus Realism.
Cyprus Pomegranate, 2019, newsprint on paper and bronze cast. Variable size, unique piece. Image courtesy Pi Artworks

Hulusi’s display – which encompasses painting, sculpture and installation – conveys a feeling of subversion throughout. The viewer is immediately struck by a series of vibrant, larger-than-life paintings depicting the flower of the Oleander plant. The petals are a beautiful bubblegum pink yet, despite its beauty, these flowers are toxic. Some of these paintings, including Oleander 1 (2019), are split in two. One side of the canvas depicts botanical imagery, while the other presents an explosion of colourful abstraction, a psychedelic sense of energy that – in terms of ambience at least – is in stark contrast to the calm of the beautiful, innocent-looking flower painted against a pale-blue sky.

Mustafa Hulusi Artwork: Cyprus Realism.
Oleander 1, 2019, oil on canvas. 408 x 306 cm. Image courtesy Pi Artworks

Besides these paintings, a huge ceramic tile installation – Ambient (2) (2019) – fools the viewer into believing that they were hand-made according to traditional Middle Eastern tile techniques. In fact, a computer made these strips of yellow, blue and green ceramics. A subversion of sacred geometry, which would only ever have been rendered and designed by hand, the work was generated by a digital procedure, removing the human element from tradition.

Mustafa Hulusi Artwork: Cyprus Realism.
Cyprus Realism, installation view. Image courtesy Pi Artworks

Across a series of photographs too, our preconceptions about nature are challenged. Nightclubs in Nature (2019) is a series of black and white images that depicts lone buildings standing in the middle of isolated fields, with playboy bunnies and words like “FUNKY” and “KINGS” attached to their exterior. These constructs signal that these places of relative calm, may actually become the complete opposite once night falls.

Mustafa Hulusi Artwork: Cyprus Realism.
Nightclubs in Nature, 2019, archival giclee print, 8 parts, each part 48 x 48cm. Image courtesy Pi Artworks

Perhaps the most attention-grabbing work on display however, is Mood Reel (2016), a multi-channel video work comprising eight cathode-ray televisions. Each screen offers eight points of observing occurring simultaneously, including clips of Elizabeth Taylor in orientalist scenes. Many of the films are sequences extracted from Third Cinema films – a Latin American film movement from the 1960s and 1970s, which decried neo-colonialism, capitalism and Hollywood as mere entertainment to make money. Taylor’s beauty allows us to gloss over what is happening underneath, while at times the screens throw up black and white swirls, as the televisions move from one film to another. These surreal “glitches” are reminiscent of Bridget Riley’s work, and almost have a hypnotising affect on the viewer, as they are lead into an unsettling state of the unknown.

Mustafa Hulusi Artwork: Cyprus Realism.
Mood Reel, 2016, 8 cathode ray monitors. 237 x 53 x 93 cm. Image courtesy Pi Artworks

In Cyprus Realism, Mustafa Hulusi presents viewers with a beautiful exhibition, which aesthetically pivots around his roots in Cyprus. This layer of beauty lingering above the surface of the work however, is a thin one, masking a more complicated, machine-influenced story that lies beneath it. Questioning the relationship between ethics and aesthetics, as well as the natural and the constructed, Hulusi asks us to consider how technologies are being co-opted by dominant powers.

Mustafa Hulusi: Cyprus Realism is on display at Pi Artworks, 55 Eastcastle Street, London, W1W 8EG until May 2019

Posted by

Lizzy Vartanian Collier aka Gallery Girl is a writer and curator based in London. Her work has been featured in publications including Dazed, Hyperallergic and Vogue Arabia. She was curator of Perpetual Movement during AWAN Festival 2018 and in 2019 had a residency at the Lab at Darat Al Funun in Amman, Jordan. She has also worked with Armenia Art Fair for its inaugural edition and previously worked as an editor at I.B.Tauris Publishers. In 2019 she co-founded Arsheef, Yemen’s first contemporary art gallery. She has given workshops at Manara Culture in Amman, Jordan and Victoria and Albert Museum in London, UK. As of 2020 she is currently in law school, with the ambition of greater understanding the intersection between art and the law.

Leave a Reply

Fill in your details below or click an icon to log in: Logo

You are commenting using your account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s