Lizzy Vartanian Collier aka Gallery Girl is a writer and curator based in London. Her work has been featured in publications including Dazed, Hyperallergic and Vogue Arabia. She was curator of Perpetual Movement during AWAN Festival 2018 and in 2019 had a residency at the Lab at Darat Al Funun in Amman, Jordan. She has also worked with Armenia Art Fair for its inaugural edition and previously worked as an editor at I.B.Tauris Publishers. In 2019 she co-founded Arsheef, Yemen’s first contemporary art gallery. She has given workshops at Manara Culture in Amman, Jordan and Victoria and Albert Museum in London, UK.
As of 2020 she is currently in law school, with the ambition of greater understanding the intersection between art and the law.
The drawings and sculptures that comprise Afruz Amighi’s current exhibition Echo’s Chamber at Sophia Contemporary in London were inspired by the permanent collections housed inside the Metropolitan Museum of Art in New York. A result of an urge to move the Greco-Roman sculptures out of the Museum’s sunlit atrium and swap them with their Oceanic […]
Many of us will have memories of going to the river to feed the ducks as children. It might seem apt then, that Rose Wylie’s current exhibition at the Serpentine Sackler in the middle of Hyde Park, and a stone’s throw from the Serpentine River, has been titled Quack Quack. Rose Wylie received her MA […]
Imagine Iraq between the years 1950 and 1970. What does it look like to you? In the west our idea of the country is of a hostile place, ravaged with war. But Iraq is an ancient place. Historically, what we now know as Iraq was Mesopotamia, it was known as the cradle of civilisation, where […]
The title given to Flora Alexandra Ogilvy and India Whalley’s co-curated exhibition at The Dot Project would suggest for a downcast room full of wintery landscapes populated by pining figures. In reality, the gallery in Fulham has become home to a series of abstract paintings made by artists that the duo found on social media. […]
A line in the press release for Egyptian artist Nadia Gohar’s most recent exhibition at The Table in Toronto, Canada reads: ‘It is important to consider the dimensions of one’s inherited identity and the ways in which it may have been produced and reproduced.’ Gohar’s work combines sculpture and painting to touch upon her own […]