Lizzy Vartanian Collier aka Gallery Girl is a writer and curator based in London. Her work has been featured in publications including Dazed, Hyperallergic and Vogue Arabia. She was curator of Perpetual Movement during AWAN Festival 2018 and in 2019 had a residency at the Lab at Darat Al Funun in Amman, Jordan. She has also worked with Armenia Art Fair for its inaugural edition and previously worked as an editor at I.B.Tauris Publishers. In 2019 she co-founded Arsheef, Yemen’s first contemporary art gallery. She has given workshops at Manara Culture in Amman, Jordan and Victoria and Albert Museum in London, UK.
As of 2020 she is currently in law school, with the ambition of greater understanding the intersection between art and the law.
The Sir John Soane’s Museum is probably one of the most fascinating places in London. The collection of objects amassed by the neo-classical architect Sir John Soane during his lifetime (1753-1837) amounts to a manifestation of artifacts that most of us could only dream of owning. Following his death, his house and its contents was […]
Artists in Transit is a collaborative arts project set up by Molly Daniel that delivers creative workshops to communities and people in times of hardship. On a recent trip, Artists in Transit travelled to Athens to deliver workshops to children and adult residents of a refugee camp involving doll-making, painting, photography, printing and sewing. Through […]
Light is everywhere. Even in the darkest of places, tiny glimmers of brightness find their way through the cracks to let us know that it is dark. In a two-week group exhibition of art at P21 gallery in London inspired by the Middle East and North Africa, Thread of Light addresses topics of interests that […]
Elongated arms reach below the ankles, faces are covered in fabric and costumes cling to one another in a bid to become one. The fashion on display at Jonathan Anderson’s Disobedient Bodies exhibition at the Hepworth in Wakefield do not conform to what we would usually expect to see in an exhibition. Where mannequins are […]
Ziad Antar’s images of unidentifiable forms appear like abandoned statues in barren locations. His film photographs carry an airy feeling of ambivalence and dominate his Liminal Places and Things exhibition at Almine Rech, which comprises photography and sculpture. The statuesque structures in Antar’s photographs are wrapped in protective coverings. These covers encase sculptures by Aref […]