Maurizio Cattelan & Lucio Fontana @ Gagosian, Davies Street

I am a huge fan of Maurizio Cattelan. His clever, witty, tongue-in-cheek works of art always grab my attention and his Toilet Paper Magazine is possibly my favourite magazine currently in print, so when I heard about his show with Lucio Fontana at Gagosian I just had to take a look.

The exhibition puts one work each from Cattelan and Fontana into dialogue with one another. A large, cotton candy coloured egg is displayed high up on the walls at one end of the gallery. This piece by Fontana has large slashes in it and serves as a point of focus for Cattelan’s piece. Cattelan has contributed to the exhibition with the kneeling figure of Hitler. The interaction between the two is completely bizarre. I shared a smile with the security guard as I walked between the two works as it does not seem to make sense – it is absurd, it probably should offend, but it doesn’t.

From behind, Hitler could be a young boy, mesmerised by the pink egg. He looks like he is praying to some kind of shrine and seems to be poking fun at something, though I have not figured out what.

The show is certainly different, and may not be for everyone but it is certainly memorable.

La fine de Dio: Maurizio Cattelan and Lucio Fontana is on display at Gagosian, Davies Street until 5 April


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Lizzy Vartanian Collier is a London-based writer and curator. She runs the Gallery Girl blog and has written for After Nyne, Arteviste, Canvas Magazine, Harper's Bazaar Arabia, Ibraaz, Jdeed Magazine, ReOrient and Suitcase Magazine. Lizzy recently curated Perpetual Movement as part of Arab Women Artists Now (AWAN) Festival 2018 in London, which was featured in Vogue Arabia and The Art Newspaper.

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