Gallery Girl Best Of 2019

2019 has been a turbulent year full of ups and downs, adventures and uncertainty. Looking back, I feel extremely grateful for all the opportunities I’ve had, all the people I’ve been able to work with, and all of the art I’ve been able to work with. Picking my favourite pieces of this year hasn’t been easy, in fact, with over 100 articles published in various outlets, it’s been almost impossible, but I have managed to whittle it down to my best 15. So, without further ado…

1. Mai-Almoataz-White-Rose-II-Digital-rendition-on-silver-gelatin-print-2-1024x610
The Lovers That Never Meet, Mai Al Moataz, 2016, digital rendition on silver gelatin print. Image courtesy the artist

I began this year interviewing artist and designer Mai Al Moataz 


Liz Johnson Artur, There is only one…one 2019, Grace Wales Bonner: A Time for New Dreams. (Installation view, 18 January – 16 February 2019, Serpentine Galleries). © 2019

My favourite exhibition of the year, took place right at the beginning at London’s Serpentine. Grace Wales Bonner’s A Time For New Dreams


Screen Shot 2019-12-01 at 16.58.00

A conversation with Ayman Baalbaki about the iPhone photographs that influence his paintings for Tribe Magazine (print publication)



For My.Kali I spoke with Tamara Al Mashouk about negotiating borders


Screen Shot 2019-12-01 at 17.01.29

In May I got my name in Vogue Arabia, documenting the Arab women making a splash at the Venice Biennale



Meanwhile, in June, I wrote about three Iranian women artists – Azadeh Fatehrad, Rana Javadi and Maryam Tafakory – about rewriting the troubled history of feminism in Iran for Dazed


The Tempest 20x16 inches, oil on panel 2018
The Tempest, 20 x 16 in, oil on panel, 2018. Image courtesy Fatima Ronquillo

Soon after, I spoke to the incredible Fatima Ronquillo about her work



Perhaps my absolute highlight, I outlined the artsy moments in Gossip Girl for The Art Gorgeous 



Probably the most fun piece for The Art Gorgeous, the pros and cons of dating an artist (with real input from former and current romantic partners of creative souls)


Hayv Hayv Kahraman, “Not Quite Human 1” (2019), oil on linen, 60 1/4 x 90 3/8 x 2 1/8 inches (all images courtesy of the artist)

A conversation with my all-time favourite artist – Hayv Kahraman – for Hyperallergic


Thana Faroq. Untitled 18 from In Search of Lost Photographs series. 2018. Digital photograph

For Harper’s Bazaar Arabia, an article about how Romooz Foundation is supporting art in Yemen during times of conflict


Vahram Galstyan’s “383 Souls” (2018) light Installation in an abandoned theater (images courtesy Anna Kamay

Meanwhile, for Hyperallergic I spoke to Anna Kamay about organising the Artsakh Fest



For The Art Gorgeous, I explained how the Kardashians are related to the art world


Imagining Home workshop, facilitated by Lizzy Vartanian Collier with Leen Jarrar, Darat Al Funun, Amman, Jordan, September 2019

Perhaps the most important piece on a personal level, what I learnt from my residency


Ai-DA with Her Paintings (Photographer Victor Frankowski)

And finally, I interviewed the first ever artist robot for The Art Gorgeous

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Lizzy Vartanian Collier aka Gallery Girl is a writer and curator based in London. Her work has been featured in publications including Dazed, Hyperallergic and Vogue Arabia. She was curator of Perpetual Movement during AWAN Festival 2018 and in 2019 had a residency at the Lab at Darat Al Funun in Amman, Jordan. She has also worked with Armenia Art Fair for its inaugural edition and previously worked as an editor at I.B.Tauris Publishers. In 2019 she co-founded Arsheef, Yemen’s first contemporary art gallery. She has given workshops at Manara Culture in Amman, Jordan and Victoria and Albert Museum in London, UK. As of 2020 she is currently in law school, with the ambition of greater understanding the intersection between art and the law.

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